This was an interesting selection. I listened to it on audio. I chose it because the title caught my attention, and the setting of World War II Germany. I seem to be reading a lot of books set during that era lately. Kind of odd for me.
Anyway, I had a rather difficult time getting into this one, and really didnt' like it very much at all to begin with. I think mostly because I had a hard time following it, since it seemed to be hopping around a lot between characters and stories. But then it all fell together and after that, I was hooked.
Hooked, though it wasn't exactly a gripping, edge of your seat, tale. I was hooked because the telling of the story was kind of fascinating to me, and the story itself had become interesting.
A quick summary, as told from the authors website:
"It’s just a small story really, about among other things: a girl, some words, an accordionist, some fanatical Germans, a Jewish fist-fighter, and quite a lot of thievery. . . .
Set during World War II in Germany, Markus Zusak’s groundbreaking new novel is the story of Liesel Meminger, a foster girl living outside of Munich. Liesel scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement before he is marched to Dachau.
This is an unforgettable story about the ability of books to feed the soul."
One of the things that intrigued me about the book, that I found completely novel and an interesting idea;
the story is told by one of the characters, but one who doesn't play a major role in the story, other than that of an observer and occasional participant in events. The narrator never officially identifies himself with a name, but he makes it clear from the beginning, through his description of his job and what we humans think of him, that he is Death. Yes, Death tells the story of Liesel and her family and friends. As I said, it was rather interesting.
Anyway, I had a rather difficult time getting into this one, and really didnt' like it very much at all to begin with. I think mostly because I had a hard time following it, since it seemed to be hopping around a lot between characters and stories. But then it all fell together and after that, I was hooked.
Hooked, though it wasn't exactly a gripping, edge of your seat, tale. I was hooked because the telling of the story was kind of fascinating to me, and the story itself had become interesting.
A quick summary, as told from the authors website:
"It’s just a small story really, about among other things: a girl, some words, an accordionist, some fanatical Germans, a Jewish fist-fighter, and quite a lot of thievery. . . .
Set during World War II in Germany, Markus Zusak’s groundbreaking new novel is the story of Liesel Meminger, a foster girl living outside of Munich. Liesel scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement before he is marched to Dachau.
This is an unforgettable story about the ability of books to feed the soul."
One of the things that intrigued me about the book, that I found completely novel and an interesting idea;
the story is told by one of the characters, but one who doesn't play a major role in the story, other than that of an observer and occasional participant in events. The narrator never officially identifies himself with a name, but he makes it clear from the beginning, through his description of his job and what we humans think of him, that he is Death. Yes, Death tells the story of Liesel and her family and friends. As I said, it was rather interesting.
Always wanted to read this one but for some reason it stays on my 'to be read' list. I see it every time I am at McKay's. Maybe now I'll finally get around to reading it.
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